Word Play

                                                                                                                                  Cy Twombley  Roman Notes

I have always loved words. The power of words, the sheer enigma of the written word and its ability to conjure, to transport us to real or imaginary places, all this through the eye’s unfathomable ability to translate essentially hieroglyphic markings into impossibly complex electric brain firings which somehow distill into emotional and intellectual thoughts and feelings. Incredible, isn’t it?

I am quite a voracious reader and like to use words in my art. I am drawn to artists who use text as an integral part of their practice. The list is long and prestigious – Cy Twombly, Mel Bochner, Jasper Johns, Tracy Emin and Sol LeWitt and Ed Ruscha to name but a few of the greats. The Hirshorn Musuem and Sculpture Garden in Washington DC is exhibiting a very strong word-based show by Barbara Kruger entitled Belief + Doubt. But there are many lesser known artists (I place myself in that category) who find that incorporating text into a work of art adds a fourth dimension, a graphic highlight, or a counterbalance to the visual.

The image above is from a surprisingly succesful exhibition I held in Tel Aviv entitled Talking Heads. For this particular exhibition I paired my eclectic collection of quotations with paintings derived from images of antique dolls, who always strike me as having something profound to say. So I literally put words in their mouth! Talking about putting words in one’s mouth reminds me of another work from a different show in which I projected my open mouth onto the gallery wall, and at the base of my throat I embedded a tiny word: STOP! The piece was a response to the maddening tit-for-tat violence in the Middle East.

I also recently ran across two interesting text-based artists – Sean Joseph Patrick Carney – check out his art book below for the Amsterdam Biennial, and performance-based artist Joe Deutch’s I Have A Gun.

The impetus for writing a whole blog entry on words, texts, and art was a recent home decorating project I completed after putting it off for a year. I had read a line by Filippo Marinetti, founder of the Futurist movement. The quote captured my imagination: “There will be a very beautiful day after tomorrow”. I wanted to feature it in my home and realized that the number of words in the sentence corresponded to the number of stairs going up to my second floor so I stenciled the sentence directly onto my stairs. Hopefully the words will remind me to be positive and optimistic in this turbulent world…

When art and philosophy meet…

Following two pretty intense years of back-to-back exhibitions, it is both exhilarating and scary to have unlimited time to simply create. I have folders full of ideas, so many in fact that my life will run out far sooner than the ideas will! I have been working on some small-scale ceramic sculptures but the painting studio has really been calling to me. So I decided to take up a very small canvas (always a good way to break the ice) and I began painting a beautiful skyscape of majestic, glorious clouds backlit by the sun. I could not get away from the thought that such scenes have always inspired Man to seek spiritual answers to explain the meaning of our world and our purpose in it. Yet as I read the daily news barrage of violence and death I am often so distraught that I lose all faith in mankind and the very notion of the existence of a “higher power” and that is how the diptych Vacancy came about…