You have to hand it to the d’Orsay Museum in Paris. They know how to titillate the senses and draw the crowds with promotional material that whets the appetite and borders skittishly on the pornographic. Check out this commissioned video to promote their upcoming show inspired by the Marquis de Sade (whose erotic writings gave birth to the term sadism). Watch the 60-second video – it’s glorious!
The d’Orsay Museum is not averse to controversial art. Several years ago, I spent six weeks at the d’Orsay Museum in Paris as the first authorized copyist of one of the most iconic erotic paintings in the history of art – Gustave Courbet’s L’Origine du monde (1866) . During my stint as a copyist I also filmed the highlights of one of my days copying what is essentially a close-up, peep-show view of a woman’s vagina.
I’m proud to announce that this documentary will be screened later this month at the Institut Courbet in Ornans, France to coincide with their annual copyist week in honor of Gustave Courbet. This is a huge validation of my work, and I feel quite excited about this exposure (no pun intended!). However, I was positively speechless when I found out that a trailer for my documentary had amassed close to 1,500,000 views (that’s right – one and a half million views) on the The Great Nude website that focuses exclusively on the nude in figurative art.
After feeling giddy about these statistics for a full ten minutes, I came down to earth when I realized that nothing actually resulted from all those views. Even if we dismiss one million of the views as voyeuristic lechers, out of the remaining five hundred thousand viewers you might think there would be one or two art critics, or gallerists or artists who might have contacted me with some exciting creative proposal. Nada. Not a one. Which begs the question – is there really a point to social media? So what if a gaggle of people have viewed the video? Does exposure really lead to anything concrete or positive? Maybe I’m missing the point. Love to hear from you.
For more about my work with L’Origine du monde click here.