Paris – where life imitates art

There are many great cities around the world that boast a hip art scene and magnificent museums. But Paris oozes Art through its pores. The city’s history, its architecture, gardens, food, fashion and lifestyle are marked by a finessed artistic sensibility. It is a city that practices a mindful approach to all aspects of life, long before mindfulness became a 21st century catchphrase.

PARIS MAY 2017 BLU VI 004
Fountain at one of the entrances to the Grand Palais
SAMSUNG CAMERA PICTURES
Reading room of the Keppler Hotel

Van Gogh and Titian are featured in Louis Vuitton’s new line of handbags

musee de chasse demonstration (18)
One couple, two very different fashion statements
DSC_0153
A ham hock ready for carving. Not something I would eat, but I love the presentation
SAMSUNG CAMERA PICTURES
Statue at Trocadero overlooking Eiffel Tower
French cafe
Neighborhood cafe. Very patriotic with the ‘bleu, blanc, rouge’!

America has the Stars and Stripes but France is all about stripes. One of France’s most notable artists, Daniel Buren, has crystallized the essence of the stripe in his iconic works. “It was the idea to have something very banal, but very strong,” says the artist in Interview magazine. He calls his stripe motif a visual tool that can transform any physical space.

SAMSUNG CAMERA PICTURES
Painting by Daniel Buren at the Modern Art Museum, Paris
SAMSUNG CAMERA PICTURES
Stripes play a big part in French fashion. I couldn’t resist…

EXHIBITIONS – TOP PICKS FOR THE SEASON

There’s always so much going on in Paris that it’s hard to know what to see when time is limited. Two noteworthy exhibitions are being shown concurrently at the Grand Palais – Rodin and Jardins. The Rodin exhibition marks the centenary of the sculptor’s death (1840-1917) and covers Rodin’s extensive creative universe. Jardins (Gardens) is a bit of a stretch from a curatorial standpoint, but there is something for everyone, from antique gardening equipment and Impressionist paintings of gardens, to installations offering contemporary interpretations of nature. Below are two of my sketches from these exhibitions.

I would also recommend two private collections that do not often hit the international circuit. On exhibit at L’Orangerie is the Ishibashi collection normally housed at the Bridgestone Museum in Tokyo. Fabulous. The Caillebotte painting is particularly exquisite. At the Jacquemart-Andre Museum you can catch Spanish businesswoman Alicia Koplowitz’s eclectic collection. Handpicked works by Goya, Tiepolo, Schiele, de Staël, Freud, Rothko and Bourgeois are among this enviable private collection.

Bon voyage!

Advertisements

Man versus Beast in Paris

hunt museum IX I have never understood hunting as a sport. The very idea of killing an innocent animal is repugnant to me. I rarely eat meat and I have been known to gently scoop up stink bugs and release them into the garden. But today my agenda in Paris was to visit the Museum of Hunting and Nature. The reason was twofold: I wanted to understand the history of hunting in France as part of the research I am doing on a book, and secondly I am always interested in how museums fold contemporary works into traditional collections to create a dialogue between old and new. The museum’s collection is grouped into hunting weapons, hunting ‘products’  like taxidermied animals, and artistic works related to hunting. hunt museum III The contemporary artist whose works are currently dispersed around the museum is Danish artist Lin Utzon whose father designed the famed Sydney Opera House. Lin Utzon’s Cosmic Dance exhibition at the Museum of Hunting has been heavily influenced by sparse nordic landscapes and her belief in the interconnection between every living creature and the common destiny we share. hunt museumIn the museum’s inner courtyard, her tall, sentinel  ceramic forms (above) are set on a sea of black coals and make a startling introduction to her work. However, I find her black and white imagery even more interesting when set against hunting artifacts and the depiction of hunting throughout the ages. hunt museum V I suppose I can accept that hunting was part of the natural order way back when, but when an animal is pitted against a man with a gun, that just seems wrong. I silently asked forgiveness of some of the taxidermied animals but the one room covered in ‘trophies’ made me queasy. hunt museum VI They were displayed in the same gallery as antique guns with beautiful mother of pearl inlays and other ornately decorated firearms. As my museum buddy pointed out, there was an uneasy juxtaposition of the dual beauty created by Nature and by Man. Utzon’s work at times seemed very graphic, almost Ikea-like, yet on the whole her oeuvre conveyed the nobility of Nature and provided an important reminder that the museum is called the Museum for Hunting and Nature. hunt museum II In one tiny little room, preserved animal parts were suspended in large glass containers, but the curator lightened the mood by including one jar containing a preserved teddy bear. In the same room a video of a unicorn was mesmerizing. hunt museum X Apart from the trophy room, the  museum was beautiful and partially succeeded in conveying the sense of respect that hunters hold for their prey. One gets an understanding of the long history and ritual of hunting  in French culture and in a way, I was able to see the connection between hunting and conservation. I was still having mixed feelings about the museum when I heard a distant but unmistakable roar of an angry crowd that makes one’s hair stand on end. I hurried out to the street to see what was going on and walked straight into a sea of demonstrators holding placards and yelling obscenities at the museum and its visitors – myself included. hunt museum VIII The manif (demonstration) was organized by the Society for the Protection of Animals, and where better to air their opposition to inhumane farming practices and hunting than the Museum of Hunting?  I could not believe the timing of this event with my visit. I was already in two minds about the nature of the museum’s contents and to be confronted by hundreds of emotionally charged protesters violently opposing the existence of the museum at that very moment I finished my tour certainly shook me up. I overheard a passerby asking one of the demonstrators what sort of museum this was and the response was: “A museum for psychopaths and assassins”. hunt museum VII When the procession of demonstrators and police cars finally moved on and the shouts of “Liberté aux animaux” died away, I snuck guiltily down the rue des Archives away from the museum whom only moments earlier I had looked at in a more favorable light.