Art mirrors our fluid world

If nothing else, the COVID virus has proven just how porous our borders and nation states are. Similarly, the once irrefutable parameters that defined social strata and gender identity have never been more fluid. Everything seems to be overlapping, blending, blurring. In the art world too, few artists feel the need to stay in one lane. Art institutions have long been encouraging students to experiment with different media and to express their creativity in multiple ways. As a result, today’s art inhabits hybrid combinations such as photography and painting, collage and printmaking, clay sculpture and video projection. In my own practice, I find myself increasingly drawn to work that crosses disciplines and does away with purist rules.

Here’s a recent example.

In an article about Paris’ bird market (Marche aux Oiseaux) I was struck by the vintage photograph that accompanied the article.

I had visited the market in the past and always felt a terrible sadness at the injustice of caging these beautiful creatures. Now the market is to be shuttered due to pressure from animal rights groups. I felt impelled to express my emotions about the market and decided upon a mixed media journal format including pen drawings, collage, printmaking and stenciling.

Here’s the result:

I recently came across Greek artist, Kostas Lambridis, whose three-dimensional constructions personify the cross pollination of materials and the trend of using disparate materials to achieve extraordinary results:

Ceramic sculptor, Joanna Allen, has created powerful work using projected video onto her figurative ceramic sculptures:

I think you can begin to see what I mean by cross pollination in the arts. I’ll leave you with one last example – photographer and painter Tawny Chatmon who embellishes her superb digitally enhanced photographs with intricate gold leaf patterning to create magnificent images.

PS. A thought just occurred to me – perhaps the literary world needs to catch up with this trend as I faced a lot of push-back from traditional publishers because my novel L’Origine: The secret life of the world’s most erotic masterpiece is part personal essay/memoir and part historical fiction. Based on over a hundred amazing reviews, that hasn’t seemed to matter to my readers!!