Every three years, the Smithsonian National Portrait Gallery hosts the Outwin Boochever contemporary portrait competition. It’s one of my favorite art events because it expands and re-defines what we think of as portraiture. This year’s judges selected 46 out of 2600 entries! Race, gender bias and immigration were the underlying themes tackled by the selected artists. Here are a few of the standouts:
Artist Deborah Roberts felt ‘called’ to paint a portrait of 14-year-old George Stinney Jr. who was executed in 1944 in an electric chair for a murder he did not commit. The work symbolizes the injustices against African American youths today (I would highly recommend a visit to another outstanding Smithsonian museum in DC – the National Museum of African American History and Culture). Aside from its message, I loved the subtle confluence of painting and collage in the face, shown in detail:
Some of you may recognize the face of iconic novelist and activist, James Baldwin (1924-1987), in this work below by artist Nekisha Durrett.
But take a closer look at how she created this portrait:
A video work by performance artist, Anna Garner, presented a totally different interpretation of self-portrait. Garner filmed herself engaged in a potentially harmful situation of her own making. To watch the video, click on the image below.
The portrait of ‘April and June’ by David Antonio Cruz features Cruz’s focal subject – black and brown members of the queer community. I particularly liked the artist’s fearless treatment of color and the clash of patterns (see detail below).
The exhibition also included several outstanding photographs.
AND THE WINNER IS….
The judges of the Outwin Boochever competition awarded first place to Hugo Crosthwaite for his stop-gap animated ‘Portrait of Berenice Sarmiento Chavez’ dealing with one woman’s American Dream. Click on the image below to watch the video.
Before concluding this brief overview of the portrait competition, I want to introduce another two works that greatly impressed me. I was blown away by the sensitive treatment and paint quality of ‘Hidden Wounds’ (below) by Luis Alvarez Roure, who painted his childhood friend after the latter returned from war. The half-shadowed face hides the hidden scars below the surface.
Another powerful service member portrait (below), this time representing women in the armed forces, was painted by Julianne Wallace Sterling who found her subjects by advertising on Craigslist!
(I’d like to take this opportunity to acknowledge the service of another young woman, close family friend, 2nd Lt. Rosenberg, United States Marine Corps, pictured below with General James Mattis)