Juan Gatti’s over-sized paintings in the luxurious Faena resort’s lobby are so…Miami. Big, brash, over-the-top, oozing with fabulous detail and dripping with gold. They are pretty fabulous and apparently each mural panel cost one million dollars! As you stroll through the lobby (referred to as ‘The Cathedral’) towards Faena’s private beach, the path splits when you get to ‘The Mammoth’, Damien Hirst’s gold-dipped and encased mammoth skeleton. It’s quite a sight.
Every detail at the Faena has been tastefully curated to create a seamless blend of art, architecture and design. Even the hotel doors are glitzy.
And then there’s the Jeff Koons work upstairs at the entrance to the resort’s signature restaurant. But just up the road on Collins Avenue, the Bass Museum of Contemporary Art offers a more serene and contemplative style of art in the form of Sheila Hicks’ fiber art.
Born in Nebraska in 1934, Hicks has had an expansive career. Her resume reads like an artist’s wet dream – Yale University, Fulbright Scholarship, Venice Biennale, Whitney Biennial, solo shows in Tokyo, Korea, Israel and on and on. Impressive to the point of intimidating. Oh, and she divides her time between Paris and New York just for good measure. But you can’t begrudge Hicks her success because she deserves all the accolades and more. The current exhibition is loosely centered around the theme of landscape. Her creativity with her medium knows no bounds.
You don’t have to wait for Miami Basel to see some great art in Miami. Hicks’ exhibition, Campo Abierto (Open Field), is on through the end of September, 2019. It’s a winner.