Evolution of a painting

Life is funny.

Several years ago, just before leaving for an extended stay in Paris I received an email from a British ex-pat in Paris inquiring whether I was in fact the Lilianne Milgrom who painted a painting of three stout women holding onto each other as they waded into the ocean. Yes, I had indeed painted that whimsical painting in Israel many years earlier.


The inquiry was from food guru Fiona Reed who discovered the painting in a vintage store and bought it on the spot. To make a long story short, we met up when I got to Paris and with our common interest in art and food we soon became fast friends.

We played around with the idea of a collaborative project involving French recipes (Fiona) and illustrations (moi). Here is my initial sketch for the cover of the cookbook, B is for Baguette © :

Baguette boy


Fiona and I never did complete our project together, but she fell in love with Baguette Boy and commissioned a large painting with a variation:

Holding baguette (4)

I thoroughly enjoyed painting the larger version with tons of texture and loose brushwork, and adding some rough gold leaf to the letter ‘B’.

Holding baguette (10)

Baguette Boy 7

Baguette Boy has now become a permanent fixture in Fiona’s kitchen, overseeing her recipe testing. She recently sent me this photo of one of her guests, Roberto Poma, taking his cue from Baguette Boy –


Baguette boys II


 Maybe I’ll even get to finish that cookbook project one of these days…

One thought on “Evolution of a painting

  1. Mitch Becker June 30, 2014 / 11:13 pm

    I enjoyed yhis


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